OndaRock feature and interview

October 31, 2018
interviews

Over the last few weeks we have been chatting with Alessandro Biancalana from OndaRock magazine whilst he’s been putting together a lengthy article about/interview with us.

It’s pretty humbling to see an overview of a career that spans over twenty years, especially something so thoughtfully put together as this one. We’re really grateful to Alessandro for having the time and patience to wait on our sometimes tardy responses and put together something as thorough as this:

http://www.ondarock.it/elettronica/isan.htm

http://www.ondarock.it/interviste/isan.htm

 

Outer Festival, Italy, 19 October 2018

September 17, 2018
announcementsevents

We’re super happy to be coming back to Italy this October to play at Outer Festival 2018 – especially looking forward to the chance to play our music in the beautiful Chiesa di San Giacomo Apostolo church.

Unit7Noise/F.A.D. remix by Antony (Mugwood)

September 7, 2018
sounds

A little something for your ears, and a little insight into the process behind Antony’s Mugwood remixes:

“I did a pan-global remix for Unit7Noise/F.A.D. in Australia – have a listen if you are inclined to hear a blanket of radio static over your music. Made by broadcasting the source material via a mini-FM radio transmitter, and then recorded and overdubbed using my OP-1’s FM radio [because those are the (self-imposed) rules]”

Jet Jaguar remix by Antony (Mugwood)

August 27, 2018
releasessounds

Antony has done a remix for our old pal Michael Upton, better known as Jet Jaguar. As ever on his (frustratingly rare) solo output Antony has crafted the kind of turbulence that washes you out to the edge of your comfort zone then slowly carries you back ashore to deposit you gently back on the shore, slightly bewildered but keen to go back for another try.

I strongly urge you to check this out.

Robin x

Iam Twisq – video

May 30, 2018
picturessounds

Red Wong and Ray Mok have taken ‘Iam Twisq’ from Beautronics and re-imagined it wonderfully from the air.

A thousand thanks to Ray and Red, and also to Max Hattler and the School of Creative Media, City University of Hong Kong for bringing us all together